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See Inside the Superyacht Princess Diana Shared With Dodi Fayed

By Katherine McLaughlin

Since her untimely death in August of 1997, Princess Diana’s last summer spent with Dodi Al-Fayed has been described in various ways: a passionate love affair, a fake publicity stunt, a temporary fling, a rouse to infuriate another suiter, or the beginning of a lifelong commitment. Although the stories change, the setting remains: a summer tour through the Mediterranean aboard a multi-million dollar superyacht. Later this year, nearly 25 years to the day, the 208-foot vessel will launch for sale again. 

The yacht is full of glossy and dark wood paneling. 

Originally named Jonikal , then Sokar , and most recently Bash , the luxury vessel was first owned by Mohamed Al-Fayed, former owner of Harrods and father of Dodi Al-Fayed. During the fateful summer, Al-Fayed hosted Princess Di and her two sons aboard the Jonikal . After the couple’s tragic death, Mohamed Al-Fayed attempted to sell the yacht numerous times before it was finally bought in 2014. It was most recently purchased by Bassim Haidar in June of 2021, who is selling it just over a year later as he reportedly has plans to upgrade to a larger vessel. “She is in the yard being refitted, and will be launched for sale in September,” said John Wood, director at Seawood Yachts. 

Coffered ceilings add a dramatic, yet timeless feel. 

Bash , as the yacht is currently named, was designed by navel architect Vincenzo Ruggiero in the 1980s and built by the superyacht building firm Codecasa before launching in 1990. The vessel can hold up to 18 people across nine staterooms in addition to rooms for 26 crew members. Among many notable features, Bash includes a jacuzzi, swim platform, sun deck, a formal dining room, main saloon, a bar, and office space. Full of dark wood paneling and coffered ceilings, the interiors are reminiscent of the Arts and Crafts style of the early 1900s. 

The vessel includes nine staterooms in addition to plenty of space for the crew. 

Powered by Wärtsilä engines, the yacht has a cruising speed of 15 knots and top speeds of 20 knots. Even though an exact price hasn’t been advertised just yet, the last time the boat was sold, it was listed for $10,000,000. 

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‘The Crown’: Behind the Photo of an Embrace That Changed Princess Diana’s Life

In the show, Mohamed al-Fayed sends the photographer Mario Brenna to capture shots of Diana and al-Fayed’s son, Dodi, on vacation. The portrayal is inaccurate, Brenna says.

By Alex Marshall

Reporting from London

It’s summer 1997, and Princess Diana is flirting with Dodi Fayed, a globe-trotting playboy, on the Jonikal, a yacht floating on sparkling Mediterranean waters.

Diana, teasingly, says that she likes men who have lips that are “just the right temperature.”

“Are mine the right temperature?” Dodi replies.

“I don’t know,” Diana says: “Need to check.” Then, the couple kiss, blissfully unaware that just a few meters away, Mario Brenna, a slick Italian photographer, is on a boat, with a long-lens camera trained on the couple.

A few days later, Brenna’s shots of the princess and her new beau are on the front pages of newspapers worldwide.

This is a central scene in the sixth and final season of Netflix’s royal drama “The Crown” — the first batch of episodes premiered on Thursday — and a moment that signaled the start of a tabloid frenzy around the couple that many blame for their deaths on Aug. 31, 1997, in a car crash in Paris as they were chased by photographers.

Yet the depiction is far from accurate, according to Brenna, speaking in what he said was his first interview with an English-language newspaper.

For a start, “The Crown” has Mohamed al-Fayed — Dodi’s father, and a retail and hotel tycoon who died this year — appearing to hire Brenna to take the shots, in an effort to push Diana and Dodi’s relationship into the public eye, and cajole the pair to marry.

In an email, Annie Sulzberger, the head of research for the show — she is also the sister of The Times’s publisher, A.G. Sulzberger — said that “there are a few theories about how Brenna managed to find the Jonikal moored somewhere in the Mediterranean Sea,” but the one the team found most credible was that one of al-Fayed’s employees leaked the boat’s location to Brenna.

But Brenna said the idea that al-Fayed hired him was “absurd and completely invented,” and that no one leaked information about the yacht’s whereabouts to him. Every summer at that time, he was in Sardinia so he could take paparazzi shots of famous people, he said, and coming across Diana and Dodi was simply a “great stroke of luck.”

On Aug. 1, 1997, Brenna said he approached Diana’s yacht on a fast moving inflatable boat after mistaking a blonde woman making a telephone call on its upper deck for an old acquaintance. As he got closer, he was stunned to realize it was the princess.

Bruno Malka, Brenna’s agent at the time who helped sell the images to Paris Match magazine, said in an email that he thought Brenna was familiar with the yacht, “without knowing it was Diana and Dodi” onboard that day. Brenna was successful, Malka added, because he had spent so many years working in the region.

After spotting the couple, Brenna said he spent the next few days stalking the boat, including climbing a cliff to get a better view. From that elevated position, about 400 meters away from Diana, he took several photos of Diana and Dodi in an embrace. The shots were almost blurred, Brenna said, because the heat haze meant he struggled to get the pair in focus.

Still, he knew immediately he’d secured “a historic photo.” He’d also captured an image that “solved my personal and family problems,” he said, at a time when he had recently divorced and so “was not swimming in wealth.”

He unloaded the rolls of film from the camera, then buried them to make sure they didn’t get exposed to the sun as he tried to take more images, and also as he feared a competitor might have seen him at work and try to steal his camera and so obtain the images every other photographer in the Mediterranean had been hoping to get first.

On Aug. 10, the Sunday Mirror, a British tabloid, splashed Brenna’s image on its front page . “The Kiss,” the headline read. Soon, Brenna said, he was selling the pictures worldwide. In the following six-to-eight months, he said, he made about 1.7 million pounds, or $2.1 million, from his photos of the couple.

Brenna’s pictures — and the prices news outlets paid for them — sparked a frenzy. In 2013, Jason Fraser, a British photographer who helped Brenna sell his images, told The Daily Mail that after they were published, over 2,000 photographers arrived in the Mediterranean hoping to get their own snaps of Diana and Dodi. “I felt the whole thing was spinning out of control,” Fraser said. Weeks later, the couple died.

In “The Crown,” Brenna (portrayed by Enzo Cilenti) explains his methods to camera. To capture celebrities misbehaving, the fictional Brenna says, you have to take risks. Paparazzi also have to act like “hunters … killers.”

Brenna said in the email interview that he did not share this opinion of his work (“I do not identify with the term ‘killer,’”) and that he was never contacted by anyone from “The Crown” to learn about his experiences (Netflix did not respond to a request for comment).

After Diana and Dodi’s death, al-Fayed sued Fraser, the British photographer, for taking photos of Diana and Dodi on a boat, saying it was an invasion of privacy. Brenna said he did not face any such action, adding his images were legal as they “were taken outdoors, in a public place.” And he regretted the privacy crackdown that happened since, with governments and stars trying to stop the paparazzi from taking photos: “There is still the right to report,” he said.

Today, Brenna lives near Lake Como, in Italy, where he said he’s photographed celebrities including George Clooney, Miley Cyrus and Beyoncé, even as the dawn of social media had impacted his profession significantly, including its financial rewards.

Brenna said he and his family enjoyed the success of the photos throughout August 1997. But then, Diana died. When he heard the news, Brenna said, he “couldn’t believe it” and cried, not least because he had two children himself and so could understand what her death would mean for Diana’s boys. He made a decision “not to speak or disclose anything about the incident until William and Harry reached adulthood.”

The mere thought that his images “could have contributed to fueling the hunt for Diana and Dodi obviously saddens me,” Brenna said. But he did not think his work added significantly to the furor around the princess.

“If it hadn’t been me,” he added, “someone else would certainly have captured those images.”

Alex Marshall is a European culture reporter, based in London. More about Alex Marshall

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The Crown: The Sad, Strange Details of Princess Diana’s Last Vacation

By Julie Miller

Princess Diana and Dodi Fayed are lounging on the sundeck of a reportedly £15 million yacht in The Crown ’s season six episode “Two Photographs” when Dodi’s domineering father telephones an onboard employee with an urgent question.

“Are they sleeping together?” Mohamed Al Fayed demands to know. 

It’s an audacious question—but Mohamed really was checking in on the couple hourly during this August 1997 cruise, according to Tom Bower , who wrote an unauthorized biography of the billionaire called Fayed. The late princess was aware that these calls were coming in—so much so that she joked to Dodi, “God is calling,” when she heard a ring, according to Dodi’s spiritual healer, Myriah Daniels, who was onboard. In 2007, during the inquest into the 1997 crash that killed the princess, Dodi, and their driver, Henri Paul, Daniels said that this became one of Diana’s inside jokes with Dodi. “They’d both have a giggle,” she said. 

Diana had vacationed with Mohamed, as well as Prince William and Prince Harry, aboard the Jonikal earlier that summer. As depicted in The Crown ’s season six episode “Persona Non Grata,” that first Jonikal vacation featured Jet Skis and a flirtation between Diana and the flotilla of press nearby. 

“The young princes didn’t like [the trip] much,” Tina Brown writes in The Palace Papers. “The flash and excess of [Mohamed’s] hospitality—the groaning buffets and the palatial bathrooms—embarrassed William in particular.” Dodi, who was asked by his father to join the trip midway, did not help matters by making the “oddly flamboyant gesture of renting a disco for William and Harry to enjoy privately,” according to royal biographer Sally Bedell Smith in Diana in Search of Herself.

Mohamed was a controversial figure who long craved social acceptance by the British elite, and hoped a relationship between his son and the recently-divorced Diana would seal the deal. 

During the summer of 1997, the billionaire ordered Dodi to drop everything—including his model fiancée, Kelly Fisher —and romance the late princess. Speaking about Mohamed, Bedell Smith previously told Vanity Fair, “He was really the puppet master behind Dodi and Diana’s very brief, barely more than a month, romance…. Dodi basically did whatever his father told him to do.”

Diana’s association with Mohamed caused serious backlash in the press. “These days, Diana, you are no longer the Teflon Princess,” warned Andrew Morton , the biographer behind her bridge-burning tell-all, Diana: Her True Story, in The Sun. “You might have the run of a £20 million yacht, but your friends and fans see a woman who is drifting on the sea of life, seriously in danger of becoming shipwrecked.” Referring to Diana’s cat-and-mouse game with the paparazzi during that initial trip, columnist Judith Whelan wrote in The Sydney Morning Herald, “Diana has been erratic before. This time, however, she has done it while hosted by one of the most reviled men in Britain.”

Despite the press outrage over her association with Mohamed, Diana agreed to return to the Jonikal for the intimate trip reimagined in “Two Photographs.” “Alone in August and attracted to [Dodi], [a] sympathetic, unthreatening listener, she accepted the invitation for a second trip alone with Dodi to the Jonikal on 31 July,” wrote Bower in Fayed. “Over the next six days…the two frolicked on the sundecks, inside the sumptuous craft and in the sea.”

Dodi indulged Diana with her favorite meals—“which included carrot juice in the morning, fruit at lunch, and fish in the evening, as well as plenty of Champagne, caviar, and pâté de foie gras,” according to Diana in Search of Herself. The music was Diana’s selection as well: George Michael’s 1996 album, Older, the occasional Frank Sinatra tune, and the soundtrack of The English Patient. “Such a marvelous film,” Diana raved to Dodi’s butler, Rene Delorm, according to Fayed. “And you miss the music when you’re watching.”

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Mohamed’s staff was so attentive to Diana that the Jonikal ’s chief stewardess, Deborah Gribble, could remember the tiniest detail, like that some of Diana’s birth control packets were half-used. Speaking at the inquest, she also confirmed that Dodi and Diana “were clearly having a relationship and were a couple.”

Dodi lavished Diana with gifts during their six-week courtship, including a pearl bracelet, a diamond-studded wristwatch, a silver photo frame, and a gold-and-diamond ring. When the Jonikal docked in Sardinia’s Porto Cervo, according to Brown’s The Diana Chronicles, Diana and Dodi went shopping and returned with cashmere sweaters for the princess—one in every color. 

Mohamed, meanwhile, was busy behind the scenes calling press. News of the relationship between Diana and Dodi broke the first week of August, less than a month before Diana’s death. The Sun ran the news with the headline “Di’s Secret Hol With Harrods Hunk Dodi,” while Mohamed’s publicist touted the relationship as “the romance of the century.”

But by the end of the trip, according to those who knew Diana, she intended their fling to be just that. The late princess suspected that Dodi might propose to her, according to Brown, but she told a friend that an engagement ring would be “going firmly on the fourth finger of my right hand” should it be presented. As recreated in “Two Pictures,” there was “a chaotic evening ashore in Monte Carlo when Dodi suddenly decided to send for the tender and take the princess for a walk.” Rather than going for a romantic stroll, however, Dodi “got her lost after a long pant up a hill trying to evade the paparazzi,” Brown writes. 

It was so embarrassing, she continues, that Trevor Rees-Jones, a bodyguard on Mohamed’s payroll, “began to feel sorry for the princess; he believed she deserved better.”

According to Gribble, Dodi also became impatient with the amount of press attention Diana was receiving.

“The tension was noticeable throughout the trip and increasing as time wore on,” Gribble revealed during the inquest. “By the time we went to Paris, there was real tension. It was incredible. It was all so tense.” 

Days before her fatal accident, Diana called her sister from the Jonikal, confiding that any love spell cast on her earlier had been broken. While she did not get into specifics, Sarah McCorquodale later told the court, “I just did not think the relationship had much longer to go.”

During that final trip on the Jonikal, Diana was photographed sitting alone on a diving board in an aqua swimsuit. The image remains so iconic that, 26 years after it was taken, Netflix recreated the visual in its promotional materials for The Crown ’s sixth season.

Contrary to what the photo showed, though, Diana was never really alone. By the end of the cruise, the princess suspected that Mohamed was doing more than periodically checking in with the Jonikal staff. As McCorquodale revealed during the inquest, “She thought the boat was being bugged by Mr. Al Fayed Senior.”

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