stumblin lil yachty lyrics

Stumblin’ lyrics

Meaning of Stumblin’ (Back & Forth) by Lil Yachty & Juice Wrld

"Stumblin’ (Back & Forth)" by Lil Yachty & Juice Wrld explores themes of drug use, fame, and the pursuit of success. The lyrics depict a lifestyle filled with substance abuse, materialism, and disregard for authority.

In the first verse, Juice WRLD references being under the influence of drugs ("Perky got me stumblin'") and flaunts his wealth and success ("Flippin' them racks, yeah, Jesse White tumblin'"). He dismisses older critics who claim that the new generation of rappers mumble, showing defiance towards those who do not understand or appreciate their music.

Juice WRLD also expresses his desire for financial stability and luxury. He mentions wanting a house with a pool or even a lake, symbolizing his aspiration for a lavish lifestyle. The mention of the Glock and snakes reflects his cautiousness and street smarts in navigating a world filled with deception and betrayal.

The chorus further emphasizes Juice WRLD's confidence and self-assuredness. He dismisses the opinions and judgments of others, suggesting that they will become obsessed with him eventually. He compares himself to Diddy, a successful and influential figure in the music industry, and boasts about his sexual escapades.

In the second verse, Juice WRLD continues to highlight his materialistic pursuits. He mentions buying a Corvette for his friend ("Bought my bro a Corvette, it's no more Andrettis") and his desire for sexual encounters ("I just want the necky"). The mention of blocking someone's text message further emphasizes his detached and nonchalant attitude towards personal relationships. He aligns himself with Lil Yachty, mentioning their shared blessings and success.

The lyrics also touch on legal troubles, with a reference to evading the police ("Last night, did a drive-by in a coupe / Twelve on my ass, so I had to get a new one"). Juice WRLD exhibits a sense of rebellion against authority figures, stating that they are not his father, perhaps indicating a lack of respect for rules and regulations.

Overall, "Stumblin’ (Back & Forth)" explores the excessive and reckless lifestyle associated with fame, money, and drug use. It portrays an exaggerated image of success, materialism, and defiance towards societal norms.

This meaning interpretation was written by AI. Help improve it with your feedback

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YG, Lil Yachty, Babyface Ray, & Mustard Go "STUPID" On New Single

With the entire West Coast on 10 right now thanks to Kendrick Lamar 's massive win over Drake , everyone is eager to drop. YG is one of those guys, especially as of late. The Compton native is working toward the release of his third entry in the Just Re'd Up series, which is dropping on August 16. He broke the news on his social media platforms a couple of weeks ago , along with the artwork which pays homage to the exotic car theme. On cover three, the hitmaker is with a trio of whips which includes a Maybach, Ferrari and Rolls-Royce. Enough about expensive vehicles, though, YG has a new single called "STUPID" out now!

This is potentially the fifth promotional cut, with 2022's "Miss My Dawgs" with Lil Wayne possibly being the lead-off record. However, we know for sure that "WEIRD" , "SHAKE", and "KNOCKA" are making the final cut. "STUPID" is following up on the second of those three, which was a** popping track featuring Kaliii and Stunna Girl. On "STUPID", YG is offering up a pure West Coast banger about living life unapologetically and it features production from Mustard. The latter lays down another winner of an instrumental, especially with the addition of the flutes. Lil Yachty and Babyface Ray also appear on the single, both providing some solid and cohesive performances overall.

Read More: Antonio Brown Apologizes To Sketch Then Immediately Calls Him Shannon Sharpe's Favorite Streamer

Listen To "STUPID" By YG, Lil Yachty, & Babyface Ray

Quotable Lyrics:

Ayy, n****s be the loudest with no fuckin' money (Skee) I be blowin' b****es backs off two packs of— (Wah) How you sent your boys to war with no ammunition? Yeah, you put up Rolls Royce, but it's standard edition (Wah) Found out what you hit this s*** like a bad magician This enough to cook his waiter, lose existence

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YG Drops New Single “Stupid” Featuring Lil Yachty and Babyface Ray

Grammy-nominated, multi-platinum artist and humanitarian YG has released his latest single, “Stupid,” featuring Lil Yachty and Babyface Ray. Produced by DJ Mustard with Bandz and Julia Lewis, the track is poised to be a summer anthem with its infectious hook and head-bopping beat.

“Stupid” masterfully combines a flute-like melody with a heavy-hitting beat, showcasing YG’s signature West Coast sound. This new single represents a unique fusion, integrating Lil Yachty’s Atlanta flair and Babyface Ray’s Detroit swagger. The cross-regional collaboration promises to captivate fans nationwide with its dynamic sound and undeniable energy.

The accompanying music video features vibrant scenes of the trio, highlighting their carefree spirit, camaraderie, and luxurious lifestyle. This perfectly complements the song’s lyrics and overall vibe.

The track underscores YG and Mustard’s iconic partnership, reminiscent of their past collaborations that have shaped West Coast hip-hop. “Stupid” maintains this powerful alliance while venturing into new territory, infusing different elements and paving the way for a fresh direction in the West Coast scene.

Set to be a standout feature on YG’s highly anticipated project, “Just Re’D Up 3,” the single promises a collection of tracks that push boundaries and showcase YG’s evolving artistry. “Just Re’D Up 3” is slated for release on Aug. 16th.

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STUPID (feat. YG & Babyface Ray)

(Mustard on the beat, ho)

Oh, damn, y'all done fucked up This beat hittin' like Bruce Lee with the nunchucks Before the court room judge us Please, wrong way, don't rub us Fuck, yeah, when it's beef, I eat cow You ain't got chicken, but catchin' Z's, sweet pile (Sweet pile) Niggas know what I be 'bout Stop playin', I'll knock a nigga clean out Yeah, I got bitches Ugly nigga, only got 'em 'cause my riches I done made it out the trenches I believe I'm him, I'm religious I couldn't see me without a check (Without a check) Me without a check, I'm a wreck Penitentiary, chances, took him to the neck (To the neck) The money feel better than sex, oh

Yeah, let's get to it If crime pays, I'ma do it Remember them days I was slidin' in the Buick Now I'm up, goin' stupid, stupid I just took a model off my checklist, stupid I just put a X on my ex-bitch, stupid I'm the type to take back the necklace, stupid Made it out the block like Tetris

Ayy, niggas be the loudest with no fuckin' money (Skee) I be blowin' bitches backs off two packs of— (Wah) How you sent your boys to war with no ammunition? Yeah, you pulled up Rolls-Royce, but it's standard edition (Wah) Found out where you hid this shit like a bad magician This enough to cook his waiter, lose existence You wanna roll with the bad boys like Isiah's Pistons My dog ain't popped any Perc', but his index itchin' (Brr) He was quick with the TEC like a paid-off ref Ten on the mag, coupe got me hard on X (Yeah) Free Jeff, we ain't spoke since before he left Shit got hard, they turned left, niggas know it ain't right (Yeah) I'm with Ju, dropped a six in the cranberry Sprite Geekin', I glide through the lane like a well-made kite On a mail man line, trying to track my pints Bitch, I'll go out with a fight, everything on sight

Yeah, let's get to it If crime pays, I'ma do it Remember them days I was slidin' in the Buick Now I'm up, goin' stupid, stupid I just took a model off my checklist, stupid I just put a X on my ex-bitch, stupid I'm the type to take by the necklace, stupid Made it out the block like Tetris

Man, you niggas got me fucked up 'Fore I sell my soul for this shit, I'll sell drugs Yeah, pussy nigga ain't got no love How is niggas sleep on the mob? Must be poured up Hah, you ain't never had to show up Baby mama callin' child support 'cause I'm goin' dumb Yeah, out in Bompton 'cause I know the thugs Louis Vuitton cross trainers like I bang blood I just scratched a baddie off my checklist, bitch We don't have a budget on my necklace, bitch Niggas love frontin' faces, not that rich Tell that to the thotties when I show them my crib Real niggas do real things Real numbers, real fans, ain't a thing change Yeah, top down in the fast lane Hands up, thanking God that the bag came, bitch

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Lil Uzi Vert, Lil Yachty and more close out Milwaukee's Summerfest with a hip-hop feast

It's only fitting that Summerfest — one of the world's largest music festivals with more than 600 performances over nine days — should end with a massive show in its biggest venue, the American Family Insurance Amphitheater.

Hip-hop superstar Lil Uzi Vert closed out the Milwaukee fest's largest stage Saturday, a noteworthy booking considering the only other place they've played this year was Coachella, and they have no other appearances scheduled this year (so far).

But with all due respect to Uzi Vert, that's not what made this show massive.

It was the incredibly stacked bill leading up to the finale, with Lil Yachty, J.I.D., Rico Nasty, LIHTZ and a thrilling Milwaukee hip-hop showcase starring breakout rappers J.P. and 414BigFrank, with surprise appearances by SteveDaStoner and Mook G, plus Milwaukee spinner Djay Mando.

In total, there were nine rappers who performed at the amphitheater Saturday. The show lasted a full five hours, with 15 minutes max between sets.

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More: 'Thankful for the opportunity': Milwaukee rappers J.P., 414BigFrank mark Summerfest debuts

More: Ivan Cornejo, Anne Wilson, Amy Grant and the best and worst of Summerfest 2024's final day

Lil Uzi Vert ends Summerfest with a wild, rare show

That said, purists will scoff at the idea of Lil Uzi Vert being considered hip-hop, and their 45-minute Summerfest set wouldn't convince them otherwise. Rapping isn't the strong suit for the rap superstar, who went for long stretches across their songs not really rapping at all — including one somewhat tedious moment where they were trying to take a selfie on a fan's phone while the DJ blasted "Fire Alarm."

But Uzi Vert's appeal is that they are a walking, (sort of) rapping embodiment of Freud's concept of Id. And what they primarily wanted to do at this rare 2024 show is rock out.

For "x2," from last year's white-knuckle "Pink Tape" album — a song that sounds a bit like a Nintendo game soundtrack on steroids — Uzi Vert jumped the barricades to hang with fans at the base of a video screen, freaking out security. During "Amped," they were so hyped up they tossed an (unlucky) fan's phone that ended up on stage some 20 feet in the air, then for subsequent song "Pop," flung a microphone across the stage in a fit of passion.

Then later for a song that can aptly be described as their life's mission statement — "Do What I Want" — Uzi Vert dropped to their knees on a ramp on stage, in the center of a big ring of lights, where they were greeted with a deafening singalong. But it still wasn't loud enough for Uzi Vert, who orchestrated the crowd from their knees with waving arms, the singalong, seemingly at peak volume seconds ago, reaching greater heights.

Uzi Vert put a lot of energy onto that stage and was paid back from the crowd in kind, who supplied more electricity than even the DJ's bass-rattling song drops could muster singing and rapping along to Uzi Vert's unstoppable bangers like "20 Min" (including, for a minute, a cappella); their superstar-cementing blockbuster "XO Tour Llif3"; and their latest tsunami-level rager "Just Wanna Rock."

And while Uzi Vert's team made the curious choice to not let their set be filmed to be projected on the amphitheater's big screen, that didn't prevent the crowd way back on the bleachers from wilding out.

Lil Yachty has fun slipping into their old persona and songs

Lil Yachty has earned a reputation for being one of mainstream hip-hop's most admired weirdos, but even their recent output has managed to surprise, from last year's "Let's Start Here" album, which drastically switched up his style for a more psychedelic soul rock sound, and this year's "Bad Cameo," an often dreamy album made with Justin Vernon-loving English producer and songwriter James Blake.

"Cameo" didn't make a cameo during Yachty's nearly hourlong set, but it did begin with "Drive ME Crazy!" from "Here." But Yachty at the start of his set was surprisingly passive, the crowd, from my perspective, seemingly more excited to see Yachty than to hear Yachty take detours with newer material.

So, after a few songs, Yachty vowed to "turn this (expletive) upside down," delivering on that promise with "Slide" — a more straightforward, crowd-bouncing 2023 hip-hop track — and the audience transformed there for being happy Yachty was on stage to being thrilled to dance and rap to his music.

And that remained the mode, from both the rapper and his fans, for much of the rest of the set — aside from a touching moment when Yachty had the boisterous crowd join in a moment of silence in memory of Yachty's "Yacht Club" collaborator Juice WRLD.

If Yachty, at this stage of his artistic evolution, doesn't feel much connection with cutesy, nursery rhyme-like early hits like "Minnesota," "Broccoli" and "iSpy," he didn't show it, seemingly having as much fun vibing to those songs as his fans did nostalgically belting out their lyrics.

And while Yachty, like Uzi Vert, coasted here and there without much live rapping, he offered more than the main headliner, like an a cappella spin through "From the D to the A."

J.I.D. demonstrates superhuman spitting skills with opening set

J.I.D. accomplished the impressive feat of making Imagine Dragons seem cool in recent years with his dizzying guest verse on their hit “Enemy,” and his Summerfest set was an even greater demonstration of his superhuman skill.

His words flew so fast — but the enunciation still sticking with every syllable — that his rhymes outraced the speedy scroll of lyrics on the screen behind him for “151 Rum.” One could quibble that he announced it was his time to bounce five minutes before his set actually was supposed to end — but J.I.D. brought so much energy to thrillers like “Stick” and “Surround Sound,” and did such a good job convincing old hip-hop heads that the art of rap was in good hands, that he earned the right to hit the showers early.

Rico Nasty goes for the throat with visceral, fun set

Rico Nasty was no-nonsense for her 35-minute set, barely taking a break or talking to the crowd. But her personality was loud and clear.

Her brash, punk-inspired flow went straight for the jugular — even while it was peppered with some throat-ripping yells, eerily cutesy delivery a la early Nicki Minaj, and the occasional butt shake.

She never coasted on backing vocals either — her head-spinning delivery for “Cold” was especially fiery — and hearing her rap her signature song “Smack a (expletive)” over the beat for Ludacris’ “Move (expletive)” was an inspired flip.

LIHTZ doesn't fit bill, but makes lasting impression

On paper, LIHTZ was the most out of place of all the rappers on Saturday’s bill. While everyone else on stage had catalogs filled with high-energy bangers, the masked Philadelphia rapper specializes in softer, slower, melodic pain rap, with pensive piano and acoustic guitar the dominating sounds on “Mixed Signals” and “Serenity.” But LIHTZ was such a passionate presence on stage, with such a luminous flow — even expressed a cappella for a portion of “Broken Spirit” — that he was impossible not to like.

Milwaukee's own J.P., 414BigFrank, SteveDaStoner, Mook G, Djay Mando kick things off

Saturday’s amphitheater show at Summerfest was a celebration of some of hip-hop’s most exciting national talents — and that includes Milwaukee’s street rap scene, which has earned a place in that conversation.

For about five years, local rappers have earned hundreds of thousands, even millions, of streams for individual songs at a rapid clip. There have been record deals and glowing coverage from Pitchfork, Rolling Stone and other major outlets. And Saturday, multiple buzzy Milwaukee rappers played Summerfest’s biggest stage.

Milwaukee’s premier party starter Djay Mando set the mood first, slipping in local rap gems like Munch Lauren’s “Big Money” and AyooLii’s “Schmackin Town” into his mix. Then came 414BigFrank, whose big, fun-loving personality instantly emerged for this year’s lowend breakout “Eat Her Up,” with Frank and about a quarter of the large on-stage entourage busting into some synchronized dance moves.

Unannounced special guest Mook G took the stage next for “Pay Me,” with another surprise guest, SteveDaStoner, rapping by his side. Stoner essentially has become the mascot for Milwaukee’s rap scene — and a popular guy eager for a selfie roaming the stages through the fest this year — and when he took over the set for his signature banger “RWS,” it was clear how Ludacris could have charmed enough by the guy to join him for a viral “free concert” stunt at 3rd Street Market Hall last month.

J.P., effortlessly translating the charm and charisma from his TikToks to a big stage, closed out this 25-minute Milwaukee rap party — a fitting choice considering none other than Lil Uzi Vert was the first famous rapper to endorse the Milwaukee rapper following his debut lowend single “Juicey Ahhh.” Alas, it didn’t make the set, but J.P. has since had an even bigger smash, “Bad Bitty” — arguably the biggest song ever from a Milwaukee-based rapper, with more than 19 million Spotify streams and counting. You better believe even the people toward the back of the amphitheater rapped “Bad Bitty” back to J.P. at the top of their lungs.

To see the scene celebrated on the biggest stage of Milwaukee’s biggest festival was a joyful achievement after years of unprecedented accomplishments. Here’s hoping it marks the first chapter of an exciting new beginning.

Contact Piet at (414) 223-5162 or  [email protected] . Follow him on X at  @pietlevy  or Facebook at  facebook.com/PietLevyMJS .

STUMBLIN V2 lyrics

Lyrics genre, stumblin v2.

Verse 1: Juice WRLD Perky got me stumblin’ Flippin’ them racks, yeah, Jesse White tumblin Got that sack, and I ain't thinkin' 'bout fumblin' Old niggas mad, sayin’ that we mumblin’ Nigga, fuck up out my face I'm tryna get to the cake I need a crib with a pool, fuck that, I need a crib with a lake Third eye on the Glock, watch out for the snakes Fuck 12, fuck 12, watch out for the jakes Fake love, fake love, on the low they hate These niggas ain't real, I know they fake Better watch your step, better stay in your place, huh Sorry, I been drippin' so hard as of lately If I ever go broke, with the lick, ready Sack chasing, just a young, shot-calling, blunt-blazing kid

Chorus: Juice WRLD & Lil Yachty She ask me if I’m high, bitch, I’m blessed Fuck her ’til her eyes roll back, she possessed Breaking Bad money like I’m selling crystal meth Baby girl was black and white, like the shirt of a ref' Let me put all those opinions that you heard all to rest Fuckin' with a nigga like me, you'll be obsessed I'm young, but I'm ready Dancin’ like Diddy, gettin' sucked like spaghetti

Verse 2: Juice WRLD & Lil Yachty Bought my bro a Corvette, it’s no more Andrettis Sharp like machetes, I just want the necky Shawty tryna text, huh, blocked like Manute, uh-huh I don't wear suits Rich like a jew, black like your church shoes Bitch, who is you? Me and Boat getting blessed up in a stu' Last night, did a drive-by in a coupe Twelve on my ass, so I had to get a new one, had to get a new one Cash, count it up, put it in a bag Takin’ Percs, now I’m finna scratch Me and Boat racin’ in a Lamb All them niggas gettin' mad, bitch, you're not my dad

Verse 3: Young 5150 Me and boat on a yacht With Juice sip a lot Got yo girl she a thot Stumblin off the Wock Playboi Carti milly rock Fuck yo bitch in halter top Yea she wanna talk a lot She gon suck up on my cock Pull up to yo block wit a Tec I ain’t playin checkers bitch Yea I’m playing chess Breaking bad money Like she selling crystal meth She gon suck my dick Til it ain’t none left Ya dig

Pre Chorus: Young 5150 That bitch dancin like she diddy Finna get Griddy I just wanna see the Titty Bitch stop actin Petty

Chorus: Juice WRLD & Lil Yachty,Young 5150 She ask me if I’m high, bitch, I’m blessed Fuck her ’til her eyes roll back, she possessed Breaking Bad money like I’m selling crystal meth Baby girl was black and white, like the shirt of a ref' Let me put all those opinions that you heard all to rest Fuckin' with a nigga like me, you'll be obsessed I'm young, but I'm ready Dancin’ like Diddy, gettin' sucked like spaghetti

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• Back & Forth (Stumblin’)